Okay pretty much any band can have my immediate attention when they start their album off with huge tom and snare rolls. “The Living Breathing Organ Summer” just gets better from then on, improving on avant-garde indie punk. Boasting a surprise around each corner, Child Bite sucker punches you with a funk-oriented soul that is so quirky you can imagine this being a band that is frequented by the likes of Mike Patton and The Jesus Lizard. Eclectic and freakin’ weird, Child Bite is certainly going to be an acquired taste for many people. The Detroit-based band is yet further proof that a crappy economy can have profoundly good effects sometimes – only unemployed maniacs who are craving the prescription drugs they can no longer afford would put pen to paper and come up with lyrics this fucking maniacal.

Ah politically and inspirationally virulent hardcore! “Wartime Citizens” by The Efforts is their painting of how The American Dream is a farce and that the mainstream media is conspiring to put us all into the zombie haze. “Dear Sarah,” is their statement to Sarah Palin and her parade of misleading and fame mongering. “Wartime Citizens” and its incredibly passionate and pissed lyrics makes me wish that The Effort would write a book – could you imagine their vitriol next to the false Tea Party and social conservatism “books” at Borders? And what they do with their words is matched nicely with their textured hardcore; crunchy guitars, sing-a-long anthems, and pounding percussion. This isn’t your papa’s chugga-chugga hardcore. Love it, buy it, spread the love, and memorize.

Wakefield’s singer Ryan Escolopio decided to forge his own record label with the idea of being all-digital. He also set about creating his own band and looked to friends like Wakefield’s guitarist JD Tennyson, Ryan’s brother Aaron (ex-Good Charlotte) on drums, and Wakefield’s bassist Mike Schoolden. So I’m sure you’re thinking, “Uh isn’t this just Wakefield with a different name and label”. Well not to disappoint you but no. The band is more catchy and writes creative tracks of the alternative rock slant with an indie feel. The label, iBOT now boasts Rookie of the Year, Wakefield, Fox in the Henhouse, and Joy Island on their roster so there’s no doubt that there will be a lot of interest from fans. Baring a colossal business failure, I imagine it to be a success. Fox in the Henhouse’s self-titled debut should also shine when more listeners have heard it. Originally released in the fall of 2010, they have been gaining momentum as the calendar flipped pages. Good tunes that won’t disappoint and leave you with a sense of what a truly dynamic indie rock band can be capable of.

Young Livers evokes post-hardcore gritty dank guitars that drop bombs similar to seminal outfit Drive Like Jehu. “Of Misery and Toil” burns no bridges as they embark upon a steady diet of breakdowns, odd song structures, and tinkering with what we’ve all come to expect from post-indie rock outfits. Mid-range rhythms with some blasts of devastation that are few and far between remind me of a Far that doesn’t deploy a melodic singer (think Hot Water Music) and nods firmly in the direction of punk rock. Each song evokes an immediate attention span quadrant that scans the horizon looking for something better but comes up empty. I swear they are a few decades removed from the DC hardcore scene.

Lesson 1 for those of you in unsigned bands hoping to get review coverage and notice in the music industry – first impressions are key. And no I’m not just talking about the fact that the first 30 seconds of your first song should be killer (that’s a no brainer folks) but it’s the little things, like the look-n-feel of your packaging. Some bands subscribe to the notion that they should put airplane size bottles of booze in there (awesome and much appreciated, keep ‘em coming!), others have cute 8×10 press cuts (yawn, please no more brick wall photos, thanks!), and then the inventive take it from the very first look – what and how you pack your music that’s sent via the mail. Get Laid nailed it – excuse the pun. Not only did they use Simpsons stamps, which is universally noted as ‘awesome’ but they put their vinyl in a decorated package. Going that extra mile means the world and shows that you really REALLY want folks to open it up to see what surprises lay inside. “Pretty Weathered” is a female-fronted proto-punk, spazz, and crusty indie rock outfit that deploys intriguing stop-and-go guitar chugs while firmly nodding to their hardcore brethren. “Decca A.D.” is oddly a B-side but could be their lead track. Easily mistaken for D.C. era post-hardcore and dare I say, emocore, Get Laid is one up-and-comer that everyone worth their salt in the music biz and Regular Joes who just want to be in the know for the next best band. Love it.

Polish emo? You bet, and Keira Is You is in the vein of true emo, ala The Appleseed Cast, Engine Down, and perhaps even a little Sunny Day Real Estate. “Nothing Else Will Happen” casts its net far and wide with powerfully experimental nuances like children’s choirs, elements of New Wave, cello, and synthesizers. Indie rock should be a little challenging, now shouldn’t it?

Watch this video for “Madness”:

I can’t believe more people aren’t gushing and obsessing about Prize Country. “With Love” is a fantastic journey across the myriad of DC hardcore via their hometown of Portland, Oregon with firm nods towards the late great Quicksand. We should all band together and make this band a huge success so that guitarist Jacob Depolitte doesn’t have to drive a cab for a living anymore (unless of course he wants to do it as a side hobby). With artwork done by renowned Philly poster artist, Mike Wohlberg, “With Love” is the total package. Riff heavy guitar-centric post-hardcore that boasts bass-heavy glides and sleekly dirty production and engineering efforts that was polished perfectly by recording engineer and producer Stephen Hawkes. Songs like “Gamble” and “It Was a Night Just Like Tonight” will make you forget your deep seeded resentment towards the demise of groups like Quicksand and Snapcase. This is one of the most essential albums this year, taking Fugazi to task with their intrepid backdrop of caustic guitar chords and surging melodic vocal yells.

No it’s not the Hanson Brothers as you adoringly know them. Or hopefully woefully scorn. This is the punk version. Canadian brand punk/hardcore rock that exists well outside of even the mainstream underground scene. It’s a shame that it totally blows ass chunks and is not worth even a drunken listen let alone a sober one. Yawn city.

Good grief this thrashy hardcore outfit known as Destruct-a-Thon is totally killer. “Aloha Jihad” is a quick EP featuring two brand-new tracks, a cover, and a couple of bonus tracks. The title track is a big ‘fuck you’ to the Bush administration performed against the backdrop of fast hardcore punk with a firm nod to power violence. Covering Bravado’s “Heart Attack” shows how fucking badass this group truly is. And how can you go wrong with the 17-second voice mail blister “Jet Metal Voice Text”? The ‘radio edit’ of the title track is just as boisterous as the original. This is thrashtastic!

Yes there is still a punk scene emanating out of England. Yes Rudimentary Peni is one such band. And while some miscreants were declaring the group dead since ‘04’s “Archaic” EP, they weren’t. In fact, “No More Pain” shows just how alive and kicking the group is. With simple-line drawing artwork that is so much more than that at closer glance designed by Nick Blinco (cult punk hero), Rudimentary Peni gouges out eyeballs straight from their sockets only to skull fuck the remains with their unique brand of late ‘70s punk-metal. No one will ever accuse these punk heroes of being anything more than latch-key urban punks who want a little anarchy for brunch to alleviate the hangover blues.