Phil Western and Mark Spybey met in the Canuckistani capitol of Vancouver, Ontario while performing with Download, a band that featured ex-Skinny Puppy members (at the time) cEvin Key and Dwayne Goettel. Recorded across the Atlantic Ocean via England and L.A. with file-sharing software, “Beehatch” dissolves quickly from a peaceful ambient piece into a sculpture of noise and dead-space tones. Phil Western’s duties as a DJ and producer amplify his work alongside Spybey, whose own signature sound alongside Dead Voices on Air and Reformed Faction (ex-Zoviet France) have elevated him among one of the electronic underground’s most sought after voice. Tactile tickling sensations of music collage with tight beat loops and crafty synthetics are but one reason that this album liberates the electronic music world from the tired and repetitive.
While I would agree with the majority of so-called “hardcore” fans of Radiohead that this was a ploy by Capitol Records to squeeze out their last album for contractual reasons (gee, we’ve seen this happen before, haven’t we), for casual fans this is a great album to pick-up. With the hope of inducing rabid fandom, and after you listen to hits like “Creep”, “Karma Police”, “Paranoid Android”, “The National Anthem”, “Knives Out”, and “I Might Be Wrong” how couldn’t you be subject to that ear-riddled disease, I think that the “hardcore fans” should unite. After uniting like some quasi convention at the U.N., they should announce in unison, “yes we’d prefer to have the pop kiddies listening to Radiohead than spend another millisecond considering who to vote for on American Idol or which Cyrus was better, Billy Ray or his multi-millionaire underage daughter better known as Hannah Montana”. If you can’t find yourself on the right side of that argument, than you’re so ‘emo’ and ‘underground’ that even your mom will puke at your very sight and Scott Tenorman clearly must die.