Churning guitars rumble throughout “Quietly”, an aptly yet ironically named opus by the metal gods known as Mouth of the Architect. Stepping right up where Neurosis left off, Mouth of the Architect has grown into an algae-like substance of metal, that chews on the dark grit left behind and yet is critical to all of life’s survival. In the metal kingdom, the group is high up on the food chain with this new album easily set to set them far apart from the pack. Crushing guitars with landscape shifting distortion and effects are plotted along a course with thundering percussion and steamy atmospheres of psychedelic and never-meandering harmonies. Recorded by Chris Common whose resume includes highlights of Mastodon and These Arms are Snakes, “Quietly” is willing to go but not by its namesake and certainly not for a long, long time.
Posts tagged experimental metal
The Mass – Holocene #6
Limited in release, “Holocene #6” is a CD-R EP that utilizes the sweet skills of producer Tim Green (The Fucking Champs) and charges head first straight into your sternum. Ugh! With razor sharp guitar slices and manic depressive melodies, The Mass is one fucking fast machine of lunacy and hilarity. Prepare to be headfucked into solemn submission and then the Mass will smash a saxophone up your bum just to make you airtight. Wicked sick, the way it ought to be.
A Storm of Light – And We Wept the Black Ocean Within
Haunting melodies sweep your feet out from under the proverbial rug on this giant of a debut record by A Storm of Light. Signed to the artistically heavy label, Neurot Recordings founded by members of Neurosis. While this is truly a one-of-a-kind aural experience, “And We Wept the Black Ocean Within” conjures forth intense visuals; no surprise when you consider that this Brooklyn trio features Neurosis’ visual director and none other than former Red Sparowes guitarist Josh Graham who also tacks on Battle of Mice and Blood and Time to his storied resume. Rounding out the brutal pummeling alongside the guitarist/vocalist Graham is Pete Angevine (Satanized) and ex-Tombs member Domenic Seita who tackles the bass and back-up vocal duties. Unsane and ex-Swans member Vinny Signorelli joined the group as a drummer post-release. The album tells a story in first-person following degrees of grief and loss though there are no specifics such that anyone listening can jump right in and align their own life story. Grimy guitars weep through multiple layers of distortion and guitar effects. Percussive explosions narrate the march through anger and depression and denial until the bass lays on the denouement with effortless groove and sickly timing. Very dark, very dense, and very essential.
Listen to Mass [mp3].
Rosetta – Wake/Lift
Rosetta’s latest album title instantly makes one think that this must be the two word mantra that Brucie of Grand Theft Auto IV infamy must live by each and every day. But after we escape that nonsensical world of steroid buffs, we are challenged with a death-defying heavy album that bonds thought-provoking lyrics with heavy decibels and oddly serenely pleasant soundscapes. As a follow-up to the critically acclaimed debut “The Galilean Satellites”, “Wake/Lift” does its job and then some, upping the ante significantly by throttling up the experimental vibes and juicing the extracts of dubious past rhythmic amalgams of post-rock, post-metal, and post-divorced-from-reality heaviness. Ambitious? You betcha. But it delivers with a clarity and uncanny ability to hit all the hard notes at lightning speed similar to Godsmack or even the more timid (in comparison) Explosions in the Sky.



