Another dark industrial EBM and dance album by one of best up-and-comers this past decade has seen in this genre, Suicide Commando. “Implements of Hell” smashes your skull against hard concrete drum loops, techno acid synths, and distorted vocals that could only be heralded by people who have a sinister desire of the dark gothic underworld. The album populates each banging beat with gyrating club-friendly melodies that while harsh are still undeniably catchy. To date Suicide Commando had yet to release such a compelling stroke of genius that was across the board fantastic but “Implements of Hell” does just that and much more raising the bar for everyone else in a very dominated EBM genre.
KMFDM – Krieg
Remixes of KMFDM’s latest album released in 2009, “Blitz”; “Krieg” is a body-crushing dance nightmare with some of scene’s bravest and best innovators tapped to revision the music into something distinct and even more intriguing than the original track. The album opens with a bang with Combichrist’s “All 4 One Mix” of “Bait & Switch”, sounding like a rave held at an abandoned east European factory. Then “Strut” is rerubbed by Andy Selway whose “Disco Balls” mix is dirty and reminds one of Lords of Acid. Seismologist offers up a darkened “Potz Blitz!” that bleeds old school industrial dance. Prong grabs their distortion pedals and pounds on your eardrums with their rendition of “Bait & Switch”. Skinny Puppy contributor and engineer Dave “Rave” Ogilvie brokers his take on “Never Say Never” with a mix that’s surprisingly very Yo Gabba Gabba with its sun-soaked synths and pleasant melodies. Other notable contributors are Komor Kommando, Assemblage 23, tweaker, Koichi Fukuda, and Vile Evils (Pop Will Eat Itself).
Drifting in Silence – Facewithin
I hear a lot of influence from earlier Frontline Assembly within Drifting in Silence’s brand of EBM and industrial dance and that’s a damn good thing. The title track and its three-included remixes makes this EP well worthy of a purchase. Monumental riffage, hard-edged beats, and sweeping synth overloads the senses making “Facewithin” a trademarked sound that no doubt will encourage a lot of repeat listens and copycats. To the copycats I have two words to say: “Good luck”.





