This almost seems like a throw-back, back-to-the-basics album for the Deftones. “White Diamonds” features druggy and sludgy guitar tones that shred with stoner rock ferocity amid Chino Moreno’s trademark out-of-this-world lyrical content delivered via screechy screams, fast spitting almost-raps, and softly sung spoken words. Still as atmospheric as their past releases, each tune seems to build off of one another delivering a true ‘album’ feel that the iTunes geeks won’t understand unless their playlist is the entire album beginning to end. Love the low-end bass tone on this album too; which is a great nod towards Chi who suffered a debilitating brain injury who sadly was absent but everyone is pulling for him to have a full recovery. I almost think that losing one of their brethren for this long-standing band is what helped craft such a fun, enlightening, and engaging album. “Rocket Skates” sounds like it was just lifted from a b-side from “Around the Fur” with its chunky guitar riffs that are perfectly fit for Mastodon fans. “White Diamonds” is at once dreamy and steamy with sultry vocals whispered and crooned by Chino and then counters all of that with caustic screams and yelps of dismay amid churning guitar distortion, weird sample atmospherics from their turntablist, and crisp rhythms and crashing cymbals. It’s not what I was prepared to hear from one of my favorite bands who I thought were on an unfortunate downswing and yet again proved me wrong. Love it.
Posts tagged crossover
Slow Six – Tomorrow Becomes You
When people mutter the word “crossover” in regards to music, I find it usually is a reference to two possibilities – one being that it’s a “nu-metal” type band from the ‘90s in the vein of Korn or Deftones or hell even Limp Bizkit, and the second being even worse, an excuse for not being able to write music that’s good, thus using a genre crutch to get by the simple fact that your band can’t write anything cohesive or imaginative. Slow Six has convinced me that there’s a third; a genuine crossover that crosses the genres of classical in the traditional sense with electronic music in the semi-traditional sense – and I’ve found that more and more bands in this hybrid genre are being self-referential when saying the ‘c’ word. Interesting how music and the verbiage to describe it constantly is evolving, huh?
Slow Six – Tomorrow Becomes You
The music of this breed is one that is both a stripped down and raw acoustic-electro experiment that refuses to abandon the structures that classical music has eschewed for a handful of centuries now. “Tomorrow Becomes You” is somewhat prophetic in this sense, offering a new style of minimalism that darts and dashes through high-brow melodies harmonious with slow-building cacophonies of sound that simply overwhelm the senses. Crafting soundscapes this rich and surrounding, almost to the point of sonic suffocation is no doubt a challenge, but one that Slow Six has raised the bar in creating. Even more elating that the timeless pieces of music that the group has composed is the fact that Christopher Tignor, who is both the band’s violinist and resident software engineer, has released his custom written music software to the general public available for free on their website. Stunning people, stunning. This is a must-have for 2010 – they’re touring in support of “Tomorrow Becomes You” and if you are lucky enough to see one of their shows, please leave comments, I’d be fascinated to know what that experience is like.
Listen and watch a live rendition of “Echolalic Transitions” as performed on WFMU:
Slow Six – “The Pulse of This Skyline with Lightning Like Nerves” with video art by Shimpei Takeda:
Recommended If You Like: Philip Glass, Brian Eno
, Tortoise
, and The Dirty Three


