Full disclosure – I really don’t know a whole lot about the power electronics or harsh noise wall scene. That said, I definitely can appreciate many of the artists that perform it or some variation. Japanese Torture Comedy Hour is one such outfit. Scott Hull of Pig Destroyer, Agoraphobic Nosebleed, Anal Cunt, and other metal offspring has been a member, but J. Randall is the mastermind behind “Dolphin Meat“. This hour-long distorted absurdity just crushed your cranium with harsh noises that were manipulated live with no computer(s), samples, guitars, or instruments just a bunch of crazy pedals chained together amid a fevered tenacity to blow one’s mind. The textures are dense for sure despite the lack of post-production editing and while it’s decidedly lo-fi in nature (recorded live onto VHS cassette). Looping effects pedals together in a feedback loop, J. Randall has crafted a simple sounding yet unorthodox concept into an unearthly creation that simultaneously stuns, eviscerates, and evokes raw emotive states. I can only imagine the melted brains in the live studio audience that got to witness this. Not for the weak willed or closed minded.
Posts tagged abstract
Cascading loops with dark soundscapes and Latin-influences and velvety melodies, “Pequenas Canciones de Amor” reminds me of something off of Acuarela Discos out of Spain. Inflected indie rock noodles throughout this stirring experimental album. Exploring a variety of styles, O Paradis deploys a king’s ransom worth of diverse instrumentation. But the one all encompassing common denominator is heady vocals and a knack for crafty a finely tuned song. There’s seventeen tracks here that bridge the gap between Euro-pop, indie-pop, electronica, experimental, and abstract. I love it. Thank you Tourette Records!