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Music Reviews of Techno, Trance, Jungle, Trip-Hop, Industrial, Electronica, IDM, House, Drum&Bass

Robert G. - Dreamland Express Editor's Pick

Robert G.Dreamland Express Buy it at Amazon

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Robert G.’s “Dreamland Express” is fronted by the upbeat single “Highest Mountain”, which is sugary trance music fit for any candy raver who still has their hearing. Booming bass hits on a four-to-the-floor rhythm schematic are first layered down with cute female vocals stacked on top, alongside infectious melodies, and club-friendly bridges. DJs will no doubt add “Highest Mountain” as their new favorite top-of-the-night floor-filler tune. Released alongside “Dreamland Express” is a DVD featuring music videos for the single as well as MySpace friend submitted videos. Nice touches make this trance album a sure fire hit even with its cheesy overtures.

- J-Sin

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The Motet - Instrumental Dissent

The MotetInstrumental Dissent Buy it at Amazon

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This reminds me of an album off of Kriztal with its post-jazz downtempo electronic vibe. Slicing through the influences of Latin rhythms, Afro-beat, and salsa, The Motet keep their eyes on reclaiming the funk ‘n’ roll from lost ‘70’s soundtrack LPs. Fused beats that know how to take you from slow to quick all the while keeping the eye on the proverbial ball, will have the lounges bouncing and drinks flowing. Nice flow, man.

- J-Sin

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Keyavash Nourai & Shahrokh Yadegari - Migrations

Keyavash Nourai & Shahrokh YadegariMigrations Buy it at Amazon

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Ambient Persian music that’s a mixture of tradition and otherworldly devices—a true “Migration” if you will. Keyavash Nourai provides the violin while Shahrokh Yadegari utilizes self-built music software dubbed “Lila”, and a madness of sonic obtuseness unfolds. Incredibly dark yet brilliantly magical, “Migration” is a stirring rendition of music fit to be played alongside some neo-field recording ambient drone album. Intriguing!

- J-Sin

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Mordacious - This Emptiness

MordaciousThis Emptiness Buy it at Amazon

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Bouncy heavy four-to-the-floor beats thunder their way from the speakers into your body singlehandedly urging you to move. Caustic distorted vocals remind one a bit of a mixture of Leaetherstrip and Frontline Assembly with more horrifically themed lyrics. EBM has had a place in my heart for quite some time and folks who take the sound and morph even more extreme with gabber-esque dance rhythms and synthetic melodies turn my body into mush. Forget raving, this is straight-out insanity and heavier than industrial could ever hope to be.

- J-Sin

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Massive Attack - Collected: The Best of Massive Attack Editor's Pick

Massive AttackCollected: The Best of Massive Attack Buy it at Amazon

Apple iTunes Buy it from InSound

Trip-hop extraordinaire Massive Attack while readying their new album in ’07 decided to assemble a “Greatest Hits” of sorts. But not one to profit on the same songs available on their albums, Massive Attack pulled together a dual disc filled with a DVD that consists of all of their music videos with a flip side of new and rare songs. Their new single “Live With Me” featuring Terry Callier on vocals is also included to give you a nice taste of what’s in store. In addition, there’s a full audio disc filled with other tracks from their storied and celebrated past. If you haven’t had the pleasure of being introduced to this fantastic group who even did the soundtrack to the gritty “Danny the Dog” film, than this is the perfect way to bust your cherry.

- J-Sin

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Overlap - Faded

OverlapFaded Buy it at Amazon

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Various ambient recordings from ’92 to ’04 are spotlighted on Overlap’s “Faded” album. Abandoning the more electro/EBM sounds of “Electric Paint” for atmospheric ambient, the U.K.’s Overlap sounds a hell of a lot better. Infused with gothic overtures, “Faded” can really reach back and tap sounds that Eno fine-tuned years before. Much better production makes this more listenable than “Electric Paint”.

- J-Sin

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Overlap - Electric Paint

OverlapElectric Paint Buy it at Amazon

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Lo-fi production and MIDI electronics make this album somewhat amateur sounding. The vocals are distracting at times since they really dominate the mix and can be slightly off. I think much of the issues throughout “Electric Paint” could be solved with a bigger budget and a few more attention to details—for example the nasty bass-heavy break on “The Thing” is fitting of clubs but its synths are too far back in the mix to really make it pop out.

- J-Sin

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Rena Jones - Driftwood

Rena JonesDriftwood Buy it at Amazon

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Ambient instrumentals that float onwards and upwards finding a groove that even the most disciplined ear may miss, “Driftwood” is a biting documentary of sound. Fetching ambient chops within disciplined noodling of cast aside melodies, Rena Jones finds a happy juxtaposition for which all ambient music shall be based upon this year. Without a doubt, one of the more intriguing listens this year.

- J-Sin

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Delerium - Nuages Du Monde Editor's Pick

DeleriumNuages Du Monde Buy it at Amazon

Apple iTunes Buy it from InSound

I’ve been a huge fan of Delerium the second that Rhys Fulber and Bill Leeb, both Frontline Assembly stalwarts, decided to form the side project. They’ve seen both huge commercial appeal via songs off of “Chimera” and dashed ambient landscapes in “Karma”. Always finding some of the world’s best collaborators, Delerium puts the spotlight on Punjabi singer Kiran Ahluwalia on “Indoctrination” which is a nice four-to-the-floor dance number, Armenian-Canadian soprano Isabel Bayrakdarian, Kristy Thirsk (a semi-member since their ’95 debut “Semantic Spaces”), Zoe Johnston, and Kirsty Hawkshaw whose stints with Orbital, DJ Tiesto, and BT have been well-recognized among even the most clueless dance fan. This album boasts brilliantly produced songs with a bevy of melody and beats that are rich in synthetic rhythm. Pure brilliance this golden is hard to find—even on the oft-talented roster of Nettwerk.

- J-Sin

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Niobe - White Hats Editor's Pick

NiobeWhite Hats Buy it at Amazon

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German electronica artist Niobe unleashes a new album that directs traffic towards melancholic atmospheres of sultry post-jazz eeriness. Her vocals are in the mold of the Canadian songstress Feist with superb range. On “White Hats” she lets the creative juices flow with bizarre lullabies and ambient bossa nova grooves. Marvelous melodies that stretch out in Bjork-esque fashion with intriguing instrumentations and laptop rhythms interspersed. A brilliant future-pop adventure.

- J-Sin

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