Having been around since their debut 7” was released in ’03, Eux Autres have been crafting pretty singer/songwriter indie pop for some time now. And they keep getting better and better at it. Their “Cold City” was released on one of my personal favorite indie labels, Happy Happy Birthday To Me Records based out of Athens, Georgia. Now part of Bons Mot Records out of San Francisco, California the group has created definition of their sound by stripping down the instrumentation to the barest of essentials and letting the melodies and singing be front and foremost. Tantalizing vocals that whisper of soft harmonies don’t prepare for you the rather daunting lyrics that belie the sound with wit and the occasional malaise.
Giant Sand – Blurry Blue Mountain
Giant Sand’s career has spanned 25 years and “Blurry Blue Mountain” is proof positive that Arizona-based musician Howe Gelb, the mastermind behind Giant Sand, hasn’t lost a step. This album follows on the footsteps of their 2008 critically acclaimed “ProVisions”. Another jaunt through the roots of alt-country, lo-fi, jazz, punk, and roots rock finds Giant Sand delivering another awe-inspiring entry into a dizzying talented resume. Leaning on an improvisational take at songwriting, “Blurry Blue Mountain” is a sleepy and lazy adventure with memorable desert tales from one of alt-country’s most inspirational figures.
Authority Zero – Stories of Survival
Authority Zero burst onto the punk scene in the mid ‘90s but didn’t see any significant commercial success until ’01. Their debut on Lava Records, “A Passage in Time” in 2002 saw a slow but steady rise in the pop-punk community. Stints on the Warped Tour and tours with hugely successful groups such as Sum 41, NOFX, and Alkaline Trio helped further propel their career. Fast forward to “Stories of Survival” and their sound that at once could have been compared to Bad Religion has morphed into their own signature sound. Armed with lots of sing-a-longs and melodic guitar chords, Authority Zero has found their niche amid pop-punk, indie rock, and elements of ska and reggae. Lyrically the album explores socio-political issues and the current state of the music industry. Relentlessly touring and writing music, Authority Zero seems destined to still be doing what they do throughout the next decade.
Death by Sexy – Curse the Curse
DC-based trio Death by Sexy got their name when Jesse Hughes of Eagles of Death Metal fame was playing a pinball machine at the Black Cat in D.C. and suggested the moniker to the group who was struggling with the first perennial question all bands have to suffer through. “Curse the Curse” is brand name rock-n-roll that doesn’t sweat the small stuff and could care less if the devil is in the details. Instead the group flaunts their grungy hard rock sound that reminds one of pre-“Nevermind” Nirvana. Big drums, big guitars, and big bass licks that smack each cheek (face or ass? You guess). The vocals aren’t trying to punish you with rock yelps but instead focuses on being as melodic as the Ramones. Fun high energy focused rock-n-roll in the local area that has a lot of humor and doesn’t take anything too seriously and to be honest shouldn’t be taken very seriously either.
The High Violets – Cinema
Ethereal shoegazing rock who reminds one of a mixture of 10,000 Maniacs and Lush, The High Violets arrange textured guitars and pop chords on “Cinema” with lots and lots of complicated layers. Having been through the rigor morale of constant lineup changes early in their career, they spotted Kaitlyn ni Donovan whose sparkling crystal voice adds the lush atmosphere that was missing previously. The result is magical in every sense, opening the senses up to every note amid a wall of sound that cocoons the body and mind. “Cinema” is a special album amid so many shoegazer efforts that fall flat.
Alamance – In the Moment
“In the Moment” is an alternative pop-rock album with some pop-punk and emo backdrops. When I heard that this was a band that played on the same stage as My Chemical Romance, the Jonas Brothers, Jesse McCartney, and Darryl “DMC” McDaniels, I had no real idea what to expect. So what we got was awfully cheesy MTV-oriented pop fodder that while well-written and performed is just laughably clichéd. Flawed as Alamance is, given that they have a 19-year old singer/songwriter they’ll probably make tons of money and have adoring fans. Puke.
Recoil – Selected
Alan Wilder, he of Depeche Mode fame, is the mastermind behind Recoil. Over the past several years, he has collaborated with countless artists to write, record, and play alongside including luminaries and lesser known artists such as Nitzer Ebb’s Douglas McCarthy, Joe Richardson, and Maggie Estep among many others. “Selected” is a collection of past tracks, remastered and remixed. While many artists that release these sorts of albums are trying to do so for the fans or simply to make a quick buck, Recoil’s “Selected” seems far removed from both of those commonalities. Instead what I hear is a band that wants to re-create an identity by mashing together so many past diverse ones. I hear a man who wanted to re-introduce himself to some and provide a nice introduction to those who’ve never heard of Recoil before. Granted Recoil isn’t for everyone, it’s not always a particularly danceable electronica group. It doesn’t pretend to know the latest trends or clichés in electronic music. However this is a two-disc set that combines to go in two different veins. The first being one that tries to collapse into a sound that doesn’t waffle from one track to the next and indeed feels like a full-length concept album. The second disc is all of the remixes and that’s where things pop and weave like a great boxer in the ring. You never know what to expect but you find yourself rooting him on from track to track. Wilder may never fully come out from behind the shadow of his former band, but Recoil is most certainly several steps out of the gate already.
Venice Is Sinking – Sand & Lines
Not many bands are this adventuresome. Venice Is Sinking recorded the entire album live with a sound engineer, a couple of microphones and some analog recording machines. No dubbing or post-production re-recording. The sessions were recorded over four days in May of 2008 at the now-defunct Georgia Theatre. As we’ve come to expect from this stellar band from Athens, “Sand & Lines” is a whirlwind of masterful songwriting and melody expertise. Truly a unique experience, I can only imagine how chaotic and pressuring it was but there’s no sense of urgency heard whatsoever. Instead it’s a relaxed jaunt through alt-country, indie rock, and orchestral pop. Experimental groups that like to tinker with not only their songwriting but also the sound and recording experience are a rare treat. “Pebble Hill” is perhaps the best song on the album with the beautiful vocals and string arrangement though other tunes like “The Wurlitzer Prize (I Don’t Want to Get Over You)” and “Bound By Violets” are also worthy contenders. They got a lot of mentions throughout last year’s SXSW and paraded into 2011 with a lot of triumph behind them and a great future ahead.
The Walking Hellos – Because I Wanted to Know
Ah a band that is near and dear to my heart. The Walking Hellos is an infectiously catchy bizarre band who strives to do everything so damn well that you’ll never listen to music the same way. On this latest effort, “Because I Wanted to Know”, The Walking Hellos combine field recordings with banjo, clavinet, accordion, and sickly twisted bass licks. Add in a sprinkle and dash or two of percussion that marches up and down your head with spastic guitar that twinkles in the moonlight. Vocally this is five years better than their debut album. The group spent time writing stirring songs that last. Experimenting a bit with song structures deconstructing them down into a melting pot of melody, chaos, harmony, and piecemealed sound, The Walking Hellos have fashioned a steady and undeniable appeal.








