Daniel Euphrat is the mastermind behind the eclectic Timmy Sells His Soul outfit. Each song is so uniquely distinct and different from the last it’s like listening to a more pop version of Mr. Bungle though without the busy backdrop. Dripping wet with indie-pop incredibleness, “Name and Form” jumps from genre to genre but always boasting a terrific array of textures. His off-key vocals range from somewhat spoken yet muffled to melodic crooning. A huge array of electro influences are smashed up behind his voice. “Seeds” finds Rachel Springer Dunbar lending vocals amid a chaotic stew of IDM and melodic indie pop harmonies. “Knife and Bowl” evoke a kind of melancholy – something this album doesn’t seem to lack in – but with an industrial-pop edge ever so slightly creeping upwards. I couldn’t begin to tell you who he may be influenced by because so many things happen throughout the listen which is a good thing; I highly doubt it’s easy to pigeonhole someone like Timmy Sells His Soul. “Vicious” sounds like something you’d hear off of Metropolis Records while “We are Surplus” could be easily heard at your local coffeehouse with its low-key indie-pop flavors. Rangy and yet authoritative in what he’s trying to deliver and accomplish, “Name and Form (Black)” is a dark beauty but one that demands your utmost attention. Highly recommended.
” builds upon the success of their debut and proves that they’re far removed from the dreaded sophomore jinx. Pop fanatics will covet the truly catchy nature of many of the tracks, while the more indie and experimental music junkies will drool over decomposing and digesting the varied musical tapestries that make up each track.
