If you ever want to see a lunatic in action, armed with fake blood and music equipment then see Baptizer. I saw and performed with Baptizer in late 2012. This guy made me want to give up my day job, become a roadie for him, and worship his ass. Seriously. Not many people have a firm grip on entertainment in heavy music nor know how to keep a small-ish audience intrigued, but Baptizer does. I saw him play at the seminal underground experimental venue, Amma House, and while I had heard a few whispers of what to expect, I wasn’t fully prepared. In stepped a maniac, gripping a microphone in his teeth, drenching himself and others in fake blood via a found chalice, and pummeling our ear drums and body cavities with a sick assault of noise-addled destruction. Jim, as he’s pleasantly known, hails from North Carolina, has a normal life, a family, and a day job, but you would never guess that once he sheds his shirt and begins to destroy your ear drums. “Signs ov Apocalypse” is a noisy amalgam of a variety of styles mashed into one bludgeoning of sound. His music is pseudo socio-political with an undercurrent of religiousness – but don’t let that stop you. I almost guarantee that if you didn’t read that and just experienced his music, you wouldn’t disagree with him on anything. The fact that people have in the past discredited his musical offerings because of his views, one way or the other, is disheartening and shows a complete lack of respect for what an experimental genre and its sister scenes are supposed to be all about. “Order of Wolves” by thee Grey Wolves was remixed and sound especially incredible. The track that stands out more than the rest is “Denial as a Defense Mechanism” with its artful craft mixture of noise and vocals, stirring up chaos and decrying apathy all at once. Stunning, incredible, and a must-have for anyone who wants to think that they have heard it all.
Posts in category noise
Full disclosure – I really don’t know a whole lot about the power electronics or harsh noise wall scene. That said, I definitely can appreciate many of the artists that perform it or some variation. Japanese Torture Comedy Hour is one such outfit. Scott Hull of Pig Destroyer, Agoraphobic Nosebleed, Anal Cunt, and other metal offspring has been a member, but J. Randall is the mastermind behind “Dolphin Meat“. This hour-long distorted absurdity just crushed your cranium with harsh noises that were manipulated live with no computer(s), samples, guitars, or instruments just a bunch of crazy pedals chained together amid a fevered tenacity to blow one’s mind. The textures are dense for sure despite the lack of post-production editing and while it’s decidedly lo-fi in nature (recorded live onto VHS cassette). Looping effects pedals together in a feedback loop, J. Randall has crafted a simple sounding yet unorthodox concept into an unearthly creation that simultaneously stuns, eviscerates, and evokes raw emotive states. I can only imagine the melted brains in the live studio audience that got to witness this. Not for the weak willed or closed minded.