Two tracks written as a non-song but one long-form poem that is both spoken word and sung lyrics by Chris Connelly and his varied assembly of guests, “How This Ends” is the soundtrack to doom and melancholy. Featuring contributors such as Sugar Bullet’s Izi Coonagh, Tania Bowers of Via Tania fame, Bill Rieflin known for his diverse work with bands such as R.E.M., Ministry, and Swans, and David Levine, “How This Ends” is a stark soundscape devoid of true composition but glowing red with the pulse of improvisation and controlled chaos. There is more than just harsh white noise and penetrating terror; indeed there are sinewy lines of piano, synth pads, and underlying rhythms. But it all centers around the poem, a flowing free-verse of intrigue and a glimpse inside the melting pot of Connelly’s genius and showcases him as a Renaissance Man and artist. Perfect for the left-of-center crowd who strives to find a unique gem out there.

