Cascading loops with dark soundscapes and Latin-influences and velvety melodies, “Pequenas Canciones de Amor” reminds me of something off of Acuarela Discos out of Spain. Inflected indie rock noodles throughout this stirring experimental album. Exploring a variety of styles, O Paradis deploys a king’s ransom worth of diverse instrumentation. But the one all encompassing common denominator is heady vocals and a knack for crafty a finely tuned song. There’s seventeen tracks here that bridge the gap between Euro-pop, indie-pop, electronica, experimental, and abstract. I love it. Thank you Tourette Records!
Monthly archives for May, 2010
Muslimgauze vs. Species of Fishes
Interesting remix of the original tracks from Species of Fishes albums “Songs of a Dumb World” and “Trip Trap” were utilized throughout this rather lengthy 56 minute jaunt into experimental music land. Muslimgauze is known for their Arabic influences and brooding electronica with an interesting mixing technique. They shed some of that here with shimmering electronic stabs and manic looping techniques that have sometimes only percolated in the backdrop of past endeavors. I found this remix album to be fantastic and totally fascinating. Worth a deep dive for the adventuresome music listener for sure.
Chris Connelly – How This Ends
Two tracks written as a non-song but one long-form poem that is both spoken word and sung lyrics by Chris Connelly and his varied assembly of guests, “How This Ends” is the soundtrack to doom and melancholy. Featuring contributors such as Sugar Bullet’s Izi Coonagh, Tania Bowers of Via Tania fame, Bill Rieflin known for his diverse work with bands such as R.E.M., Ministry, and Swans, and David Levine, “How This Ends” is a stark soundscape devoid of true composition but glowing red with the pulse of improvisation and controlled chaos. There is more than just harsh white noise and penetrating terror; indeed there are sinewy lines of piano, synth pads, and underlying rhythms. But it all centers around the poem, a flowing free-verse of intrigue and a glimpse inside the melting pot of Connelly’s genius and showcases him as a Renaissance Man and artist. Perfect for the left-of-center crowd who strives to find a unique gem out there.
Black Sun Productions and Val Denham – Somewhere Between Desire and Despair
Trangendered artist famous for paintings for Psychic TV album releases and more recently for her self-released lo-fi albums, Val Denham collaborates with Black Sun Productions for this brooding and dank experimental electronic excursion. Beginning the album is a spoken word reading of Charles Dickens “A Tale of Two Cities” with a Coil-esque backdrop drone. No surprise on the Coil reference as Massimo and Pierce have their tight ties with Coil in the past. Sexual undertones perverse the soundtrack collapsing words into a separate entity that is both instrument and vision all at once. Industrialized rhythms dominate some of the tracks while the druggy green visions of “Absinthe” portend their influence with cooled keyboards and manipulated loops.
Young Livers – Of Misery and Toil
Young Livers evokes post-hardcore gritty dank guitars that drop bombs similar to seminal outfit Drive Like Jehu. “Of Misery and Toil” burns no bridges as they embark upon a steady diet of breakdowns, odd song structures, and tinkering with what we’ve all come to expect from post-indie rock outfits. Mid-range rhythms with some blasts of devastation that are few and far between remind me of a Far that doesn’t deploy a melodic singer (think Hot Water Music) and nods firmly in the direction of punk rock. Each song evokes an immediate attention span quadrant that scans the horizon looking for something better but comes up empty. I swear they are a few decades removed from the DC hardcore scene.
Maurizio Bianchi – YNOHPMYS
Astonishingly gripping dark ambient and noise that is filtered through brainy nuances of druggy soundscapes, Maurizio Bianchi’s latest on Tourette Records (I’ve never heard of a more fitting moniker for an experimental music record label). There’s a depth here yet an urgent sense of brevity that counterbalances each of the six tracks. Not to say that these are quick ballads of bright white noise; indeed the shortest is just a tad under 8 minutes in length. Instead each tune focuses on a sense of manic solitude wrapped in looping and manipulated electronic pulses and waves. Beautiful, sad, and emotional, “YNOHPMYS” will challenge everything you previously thought about experimental music living up to ‘symphony’ the backwards album title suggests.





