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Minneapolis indie rock that is executed with punk rock mayhem and math rock’s precision (think a Tool babysitting a Fugazi). Tonally divergent guitars range from the left to the right speaker with distorted angular rhythms. “Endings” is a fantastic aural version of pulling the tablecloth out from under the silverware and nice china. Diagonal harmonies seem to deftly interweave with the magnificent melodies that recall DC-based rockers like Fugazi, but its their truly artistic vision and unimaginably grand instrumentation that sets them firmly apart from any comparison. This is Self-Evident.
